Separation
Vocal removal for two-track splits, plus a stem splitter that can break a song into as many as twelve instrument parts for detailed rework.
SeedAudio starts where most music apps stop: with a file you already have. Take it apart, study it, change one layer, and export what you need.
Every track below started as source audio on the SeedAudio bench. Play one, then split it, convert it or extend it the same way with your own files.

Signal in the Rain

Harbor Highlife

Tin Roof Hymn

Quiet Machine

Mariachi Midnight

Northbound Strings
an audio bench, not a slot machine
SeedAudio starts where most music apps stop: with a file you already have. Take it apart, study it, change one layer, and export what you need.
A mixed song is several decisions glued together. Separation tools unglue them: vocals from accompaniment, drums from bass, guitars from keys. Once a layer stands alone you can practise over it, remix it, transcribe it, or replace it without touching what already works.
Conversion tools move audio into editable form. Audio-to-MIDI turns a performance into notes you can correct, and the browser MIDI editor lets you fix timing and pitch before exporting to your own DAW.

Most sessions begin with a recording that is almost right: a demo with a buried vocal, a loop that needs a bass line, a song that ends too soon. SeedAudio gives each of those problems its own tool, so you can isolate the part that matters instead of regenerating the whole thing.
When you do need new material, the generator creates it as raw input for the same bench. Everything lands in one library, ready for separation, conversion, or another pass.
Vocal removal for two-track splits, plus a stem splitter that can break a song into as many as twelve instrument parts for detailed rework.
Audio-to-MIDI transcription and an in-browser piano-roll editor, so a hummed idea or a guitar riff becomes data you can arrange.
Extend a track, remix it into new styles, add a vocal or an instrumental layer, re-sing it with a cloned voice, or cut a lyric video from the result.

The tools chain together. Output from one step is available as input to the next, so a single file can travel through several jobs.
Upload a song, pick a track from your library, or generate a reference when you have nothing to start from.
Separate the vocal or the instrument group you plan to work on, and audition it solo before deciding the next move.
Convert, extend, re-voice, or remix the isolated part, then download the pieces or the finished mix for your editor.
Build a clean backing track from a reference song, rehearse against it, then record or re-voice your own take.
Pull drums or bass out of a sketch, transcribe a melody to MIDI, and rebuild the arrangement around the part that sparked the idea.
Mute one instrument to study it, slow the learning curve with isolated stems, and use analysis to explain why a song feels the way it does.
Separation quality follows source quality. A full-bandwidth WAV or high-bitrate MP3 splits more cleanly than a phone recording of a speaker.
A stem can sound thin alone and perfect in the mix. Judge each part both ways before you decide it needs another pass.
Separating or re-voicing someone else's recording does not grant you rights to it. Use your own material or audio you have permission to adapt.
No. Most tools accept an upload, so you can work on recordings, demos, and bounces you already have. Generation is there for when you need fresh source material.
MP3, WAV and M4A files up to 50 MB and eight minutes are accepted by most tools. SeedAudio checks the actual file data after upload rather than trusting the extension.
Yes. Download separated stems as MP3 files on a paid plan or with purchased credits, and export transcriptions as MIDI, then import them into any editor that reads standard audio and MIDI files.
When a task is recorded as a system failure, the credits it used are returned to your account automatically, and you can retry with the same source.
Pick one recording you have been meaning to fix. Isolate the layer that bothers you and hear what changes.
Open the workbench